Working in someone else’s home
To write and direct a play between three persons meant a lot and also meant nothing.
In this process there was neither multiplication of the individual aesthetics nor concessions of any kind. We just had a rare harmony in which three people visit an alien territory: the amazing land of “someone else”
Once implemented the system of rules and counter rules someone who really does not seem at all the product of the sum of the three writes and directs the show.
As one who is traveling in a foreign country but in the friendly company of others, others who are supposed to have the map and, like any map, it is false.
What do all writers want?
1) Be someone else when you write.
2)Tell one that the maddest whims are needs of the structure.
3)Read one’s text and not recognise yourself: rather "know" someone new, dangerously new and unknown, someone who for once does not kill us with boredom.
All that happened during this year's work with La escala humana.
Javier Daulte, Rafael Spregelburd & Alejandro Tantanian
La escala humana (The Human Scale)
by Javier Daulte, Rafael Spregelburd & Alejandro Tantanian
with
Mini
María Onetto
(later Mónica Raiola)
Leandro
Gabriel Levy
Silvi
María Inés Sancerni
Nene
Héctor Díaz
Norberto Suardi
Rafael Spregelburd
Off voices
Niña
Nina Righi
Niño
Max Edelstein
Asistente SAS
Mirta Busnelli
Mujer
Cristina Banegas
Fernando
Mauricio Kartun
Mayers
Alberto Segado
Light operator
Mariano Dobrysz
Assistant director
Julieta Álvarez
Sound design
Nicolás Varchausky
Songs
Lyrics
Javier Daulte, Rafael Spregelburd. Alejandro Tantanian & Nicolás Varchausky
Music
Nicolás Varchausky
Lights
Diego Angeleri
Costumes
Julieta Álvarez
Set
Jorge Macchi & Oscar Carballo
Direction
Javier Daulte, Rafael Spregelburd & Alejandro Tantanian
La Escala Humana is a coproduction between Complejo Teatral de Buenos Aires (CTBA) and Hebbel-Theater, Berlin, Germany.
Running time: 110 minutes.
Premiere: Season 2001, Teatro Callejón, Buenos Aires, Argentina
Show presented at the National Program of the III Festival Internacional de Buenos Aires (FIBA), September 2001.
Further presentations:
Season 2002, Teatro El Portón de Sánchez, Buenos Aires, Argentina
International presentations:
2001: Hebbel- Theater, Berlin, Germany
Schauspielhaus, Hamburg, Germany
Festival Iberoamericano de Teatro (FIT), Cádiz, Spain
2002: Festival de Caracas, Venezuela
Festival de Londrina, Brazil
Festival de Manizales, Colombia
Festival de Otoño in Madrid, Spain
Season in the city of Stockholm
Public reading in the Festival Mousson d’Eté, Pont á Mousson, France,
Photos: Carlos Furman & otros
ACE awards (given by the Theatre Critics’ Association) to the theatrical production 2000/2001 as the Best Argentinean Play of the year.
Nominated to the same Awards for Best Off Show and Best Leading Actress in an Off Production.
Winner of the Clarín Awards to the best Theatre Productions of 2001 in the Best Actress category (María Onetto).
Winner of the María Guerrero Awards 2001 as the Best Play of the Year
Nominee to the same Awards in the Best Actress category (María Onetto)
Nominated to the Trinidad Guevara Awards 2001 in the following categories: Best Play and Feminine Revelation (María Onetto)
Nominated to Teatro del Mundo Awards in the category Best Set Design (Jorge Macchi)
Winner of the Teatro del Mundo Awards in the categories Best Actress (María Onetto) and Best Playwright (Daulte, Spregelburd & Tantanian)